Arundhati Nag discusses the early days of Ranga Shankara, a theater she founded 20 years ago, and reflects on the changes it has brought to the perception of theater. Initially, theater was considered a pursuit for intellectuals, but Nag believes that Ranga Shankara has broadened its appeal. She notes that while some may still hold this view, many are converted after experiencing a play at the venue. Nag highlights the shift in audience behavior, mentioning that people now attend performances on weekdays as well. She expresses a mix of pride and concern for the theater community, commending the innovative work of some young theater groups while calling for greater commitment to the craft from others. Nag recalls the grand ambitions that drove the establishment of Ranga Shankara and the ongoing efforts to realize them. She acknowledges the challenges faced over the past two decades and emphasizes the need for continuous growth and development. Lastly, Nag observes a widening gap between traditional and contemporary theater forms, reflecting on her own experiences with theater as a comprehensive cultural phenomenon.States like Gujarat, Bengal, and Karnataka, among others, collectively expressed an anti-colonial sentiment. As with many countries, India is rapidly urbanizing, leading to a widening gap between traditional and urban theater. This trend is a global phenomenon that merits attention. India boasts a rich diversity of languages and artistic forms, a legacy we must preserve for future generations. The photo, taken in 2004 during the opening night of Ranga Shankara, commemorates this sentiment.
Twenty years ago, there were around 50 theater groups; today, that number has doubled, showcasing the growth of theater in India. While this proliferation attracts young enthusiasts, there is a wish to promote theater-watching as a cool, enriching experience. The individuals who generously support the arts without imposing conditions are worthy of admiration. Their backing provides hope that artistic endeavors can flourish, benefiting both artists and society as a whole.
Arundhati Nag advocates for exploring diverse experiences, especially as youth today are open to new ventures. She believes theater holds immense potential for the future compared to cinema or television. Watching acclaimed actors perform at an affordable cost not only entertains but also educates about one's heritage and culture. Theater offers limitless learning opportunities, inspiring generosity and a commitment to excellence amidst the fast-changing world.What I hope will remain as the essence of Ranga Shankara in the future is its enduring spirit of kindness, generosity, and commitment to excellence. Merely being generous may lead to naivety, while focusing solely on excellence can make one appear arrogant. Striking a balance between the two is ideal. Arundhati Nag and the late Girish Karnad were spotted socializing with literary figures at the event.
